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LIST OF WORKS
(Original compositions,
instrumentation and dates of first performance)
Abbreviations for Brazilian States: MG – Minas Gerais; RJ – Rio de
Janeiro;
SP- São Paulo; PR- Paraná; RS - Rio Grande do Sul.
 vídeo
 page of the
score
1. Cantiga d'Escarneo. Cantata for soprano, flute, bassoon (or
‘cello), viola and piano (1979). Text by D.Afonso X (13th century)
Premiere: November 1991. Ouro Preto Theater, Ouro Preto, MG, BRAZIL.
Ensemble Nova Philharmonia. Judith Imbassahy, soprano.
2. Cambiata, for Viola (1980) Premiere: November 1990.
Ricardo Giannetti (transcription for solo violin).
3. Sanatório, for soprano, oboe, bassoon, violin, cello,
percussion and
piano (1980) Premiere: 14th Winter Festival, Federal University of
Minas Gerais, Diamantina, July 1981. The Festival’s Camerata.
4.
Canto for Violin (1981).
Premiere:
Institute of Human and Social Sciences. Federal University of Ouro
Preto, MG. November 1990. Ricardo Gianneti.
5. Ária
for Oboe (1981). Premiere: Brasília Super Radio FM, Brasília.
January 1984. Izaac Duarte.
6. Ária, version for Flute (1981). Premiere: 14th Winter
Festival, Fed.Univ of Minas Gerais, Diamantina, MG. July 1981.
Odette Ernest Dias.
7. Sio2 (1981), for Chamber Orchestra. Premiere: 14th Winter
Festival. July 1981. The Festival’s Camerata.
8.
Hottetterriana, solo Recorders (1981). Premiere: Teatro
Elizabetano, Sabará, MG. September 1981. Eduardo Carvalho Ribeiro.
9. Resonare Fibris, solo ‘Cello (1981). Premiere: Stockholm,
Sweden. 1986. Peter Schuback.
10. Sonata for bassoon and piano (1981).
11. Takhailat Mandhir Jamil, for piano, violin and ‘cello
(1982)
12.
Taghai'urun, for Piano (1982/83). Premiere: ler Festival de
Compositores Latinoamericanos, Quito, Ecuador. May 1991.
13. Expansão, for 4 tubas (1983). Premiere: 8th Brasília
International Summer Course. January 1983.
14. Música para Alguém, for harp, french-horn and tantan
(1983). Premiere: 8th Brasília International Summer Course. January
1983.
15. Concerto (no.1) for Flute and Orchestra (1981/83).
Premiere: The National Theater of Brasília. October 10th, 1985. The
National Theater Symphony Orchestra. Conductor: Jorge Antunes.
Soloist: Odette Ernest Dias.
16.Concerto for Sax soprano and String Orchestra (1983)
Premiere: 9th Brasília International Summer Course. January 1984.
The Festival’s Camerata. Conductor: Sérgio Dias. Soloist: Vadim
Arsky.
17. Interiores, for orchestra (1983) (withdrawn). 9th Brasília
International Summer Course. January1984. The Festival’s Orchestra.
Conductor: Sérgio Dias.
18. 3 Momentos, for ‘Cello solo (1983) (withdrawn). Premiere:
Belo Horizonte. June 26th, 1984. João Cândido dos Santos.
19. Views, for Orchestra (1983/84).
20. Introspecção I
(1983), for Clarinet solo. Premiere: 1st Cycle of Contemporary Music
of Belo Horizonte, MG. April 7th, 1984. Nelson Cadima Fuentes.
21. Introspecção II, for 2 trombones (1983). Premiere: 8th
Cycle of Contemporary Music of Belo Horizonte. December 1991.
Soloists: Paulo Lacerda e Wagner Mayer.
22. Sabra, for oboe and piano (1983). Premiere: ler Encuentro
de Musica Contemporanea de Chile, Santiago. October 17th 1989.
Soloists: Daniel Vidal (oboe) and Karina Glasinovic (piano).
23. Sunset, for double bass and marimba (1983).
24. Transfigurações, for 2 harps (1983).
25. Stress, bass-clarinet, trumpet, trombone, viola and
percussion (1983.
26. Sonata I,
for Piano (1979/84), premiere: School of Music and Fine Arts of
Paraná. Curitiba, PR. October 26th,1997. Leilah Paiva.
27. Variations for
flute and bassoon (1984).
28. Fragments I - V, for Piano (1984).
29.
Aluminium Sonata, for violin and piano (1985). Premiere:
Teatro Municipal de Ouro Preto, MG, November 24th, 1991. Ricardo
Gianetti (violin) and Talitha Maria Cardoso Peres (piano).
30. Para Além
Doutro Oceano, for solo voice, choir and orchestra (1985).
31. Convivium, Electroaccoustic Composition (1986). Premiere:
3rd Cycle of Contemporary Music of Belo Horizonte. June 23rd, 1986.
32. Un Pájaro de Papel en El Pecho dice que El Tiempo de Los
Besos no ha Llegado, for recorders and tape (1986). Premiere:
Museu da Inconfidência, Ouro Preto, MG. July 5th, 1986. Eduardo
Carvalho Ribeiro (recorders) (withdrawn).
33. Memento Mori, oratorio for solo voices and chamber
ensemble (1987). (Text: Affonso Ávila). Premiere: Teatro Municipal
de Ouro Preto. June 20th, 1987. Camerata Philharmonia. Conductor:
Sérgio Dias. Soloists: Lucila Tragtenberg (soprano) and Cesio
Aldrighi (baritone).
34. 3 Fragments for organ (1987).
35. Aethra I
(1987), for solo ‘Cello and Piano obbligato. Premiere: 4th Cycle of
Contemporary Music of Belo Horizonte. June 28th, 1987. Claudio Urgel
(‘cello) and Celina Szrvinski (piano).
36. Concerto for
Violin, 12 instrumentalists and soprano (1988).
Premiere: 8th Biennial of Brazilian Contemporary Music, Rio de
Janeiro. November 28th, 1989. Camerata Philharmonia. Conductor:
Sergio Dias. Hariton Nathanailidis (violin) and Lucila Tragtenberg
(soprano).
37. Canticae et Diverbia, for flutes, clarinets, violin,
‘cello and
piano (1988). Premiere: Cultura Inglesa Theatre of São Paulo. March
3rd, 1989. Grupo Novo Horizonte of São Paulo. Conductor: Graham
Griffiths. Commissioned by Grupo Novo Horizonte de São Paulo.
38. Sicut, for chamber orchestra (1989, withdrawn). Premiere:
14th Panorama of Brazilian New Music, Federal University of Rio de
Janeiro. October 30th, 1992. Rio de Janeiro Chamber Orchestra. Cond.:
Roberto Victório.
39. Lamentationes Jeremiae Prophetae, Officium I, Lectio I,
for soprano and chamber orchestra (1990).
40. Ludus, for Clarinets and ‘Cello (1990).
41. Symphony nº 1 "Concerto Harmônico”, for symphonic band
(1991, revised in 1996). Premiere: Memorial da América Latina, São
Paulo. April 24th, 1992. The São Paulo State Symphonic Band. Cond.:
Roberto Farias.
Commissioned by the State of São Paulo Cultural Department.
42.
Finismundo, for soprano and chamber ensemble (1991/92). (Text:
Haroldo de Campos) Premiere: Teatro Municipal de Ouro Preto.
November 30th ,1991. (1st fragment). Premiere of complete work:
Teatro da Faculdade Santa Marcelina, São Paulo. August 13th, 1996.
Grupo Novo Horizonte de São Paulo. Cond.: Graham Griffiths. Soloists:
Cláudia Riccitelli (1991) and Simone Foltran (1996). Commissioned by
Grupo Novo Horizonte de São Paulo.
43. Música
para Flávia, for Piano (1991/92). Premiere: Dartington
International Summer School, UK. August 28th , 1993. Ian Munro (Australia).
44. Jeremia
Propheta: Uma Epígrafe, for Piano (1992). Commissioned by Graham
Griffiths. Premiere: Leilah Paiva. Sala Brasílio Itiberê. Curitiba,
PR. July 21st, 2000.
45. Na Perfurada
Luz, em Plano Austero, string quartet nº 1, (1992/93). Premiere:
Summartónar 96, Faeroe Islands. June 27th, 1996. Moyzes String
Quartet (Slovakia).
46. Terra Queimada, for clarinet, violin, ‘cello and piano
(1993).
Premiere: Dartington International Summer School, UK. August 28th,
1993. Lynsey Marsh and Murphy Trio (UK).
47. Missa a Capella
(1993) for 16 voices choir (SATB).
48. Revoada,
for solo Recorders (1994). Premiere: Rádio Cultura
FM, São Paulo. August 1995. Helle Kristensen. Commissioned by Helle
Kristensen (Denmark).
49. Umbrae et Lumen, for Chamber Ensemble (1993/94). Premiere:
5th Encompor, Latin – American Encounter of Composers, Porto Alegre,
RS. October 11th, 1996. Ensemble Cantus Firmus. Cond.: Pedro Boéssio.
50. Aethra II
(1989/94), for Double-bass solo and piano obbligato.
51. Concerto for
Bass-Clarinet, Percussion and Piano (1994/95). Premiere: Fynske
Musikkonservatorium, Odense, Denmark. February 8th, 1995. Grupo Novo
Horizonte de São Paulo. Soloist: Otinilo Pacheco.
52. Por entre
Montanhas e Mares, for Harpsichord (1994/95).
53. In Solitude,
para Company (1995), for flute and guitar.
54. Icnocuícatl
(1995, revised in 98), for Chamber Orchestra. Premiere: Festival
Música Nova, Santos/São Paulo, SP. August 15th, 1995. Grupo Novo
Horizonte de São Paulo and Ensemble Nord (Denmark). Cond.: Graham
Griffiths. Commissioned by Grupo Novo Horizonte de São Paulo.
55. Solilóquio I
(1995), for Sax-tenor solo. Premiere: Museu da
Imagem e do Som, Curitiba, PR. December 14th,1995. Rodrigo
Capistrano.
56. Sarapalha, chamber opera in 1 act on text by Guimarães
Rosa
adapted for theater by Renata Palottinni (1995/96). Premiere: Sala
Brasílio Itiberê, Curitiba, PR. November 23rd , 1999. Paulo Barato (baritone),
José Alberto Batistela (tenor), Josiane dal Pozzo Zuliani (mezzo-soprano),
Márcio Pimentel (oboe and english-horn), Júlio César Coelho (viola
and fiddle), Manchinha (accordion), Fabiano Zanin (guitar), Berchon
Dias, Jr. (percussion). Cond.: Daniel Bortollossi.
57. Ipês (1996), an epigraph for viola and piano.
58. 5 Epigraphs for
French-Horn and String Orchestra (1996). Premiere: Memorial da
Cidade de Curitiba. November 12th ,1997. Leandro Teixeira,
french-horn. Orquestra de Câmera da Cidade de Curitiba. Cond.:
Lutero Rodrigues.
59. Imagens
Rupestres, for flutes, ‘cello and piano (1996).
Premiere: Schloss Zell an der Pram, Oberösterreich, Austria. May
17th, 1997. The George Crumb Trio (Linz). Commissioned by the George
Crumb Trio.
60. Lumen de Lumine,
concerto for ‘Cello and Chamber Ensemble.
(1996/97). Premiere: 12th Biennial of Brazilian Contemporary Music,
Rio de Janeiro. Otto Andersen, ‘cello. Ensemble Nord (Denmark).
November 1997. Commissioned by Ensemble Nord.
61. Sextet for
Piano and Wind Quintet (1997).
Premiere: Centro Cultural do Banco do Brasil, Rio de Janeiro.
Ensemble Rio. July 22nd, 1997. Commissioned by Bank of Brazil
Cultural Foundation.
62. Concerto for Piano and Orchestra (1997).
Premiere: 7th Winter Festival of Campos, RJ. Maria Tereza Madeira,
piano and The Festival’s Symphony Orchestra. Cond.: Sérgio Dias.
Commissioned by the Festival
63.
Assimetrias (1997) for Guitar. Premiere: Centro Paranaense
Feminino de Cultura, Curitiba, PR. Mário da Silva. 5/2002.
64. Sonata II
(1998) for Piano.
Premiere: Escola de Música e Belas Artes do Paraná (Curitiba). May
14th, 1999. Leilah Paiva.
65. Austrais
(1998), 4 songs for voice and piano on poems by Cruz e Sousa. 1- Um
ser; 2- Siderações; 3- As estrelas; 4- Dupla via-láctea. Premiere:
Memorial da Cidade de Curitiba. June 11th, 1999. Anna Toledo,
soprano and Carlos Alberto Assis, piano.
66. No Silêncio das Noites Estreladas (1998), for Percussion
Ensemble (9) Premiere : Teatro São Pedro. Festival Música Nova, São
Paulo SP. August 27th, 1999. PIAP Percussion Ensemble.
67.
Sicut Erat in Principio (1998), for Orchestra. Premiere:
Teatro Guaíra, Curitiba. November 12th ,1999. State of Paraná
Symphony Orchestra. Cond.: Roberto Duarte.
68. As Impuras
Imagens Do Dia Se Desvanecem (The Unpurged Images of Day Recede [Yeates])
(1999), for solo Viola. Premiere: Casa Thomas Jefferson, Brasília.
Zoltan Paulinyi. 5/16/2008.
69. Ad Aethereum (1999 / 2000) for String Quintet (vln.I, vln.II,
vla., vlc., d.bass). Commissioned by the Curitiba String Quintet.
70.
Solilóquio II (2000), for Violoncello solo. Premiere: Salão
de Atos da UFRGS, Porto Alegre, RS. Rodrigo Silveira. 12/10/2007.
71.
Turris Ebúrnea (1999/2000), Cantata for Soloists (SATB),
Choir and Chamber Orchestra (Strings and harpsichord) on early 20th
century texts by symbolist poets from Paraná ( Emiliano Perneta,
Tasso da Silveira, Dario Vellozo, Cícero França, Silveira Neto,
Aristides França). Commissioned by Camerata Antiqua de Curitiba.
Premiere: Teatro Londrina, Memorial da Cidade de Curitiba. Camerata
Antiqua de Curitiba. Cond.: Helma Haller. Oct.26th, 2000.
72. Diálogos do
Vento (2000), for Harmonica and Chamber Orchestra. Premiere:
Teatro Carlos Gomes. Blumenau Chamber Orchestra. Ronald Silva,
harmônica; Daniel Bortolossi, cond., Blumenau, SC. 5/11/2002.
73. Aethra III
(2000 / 01) for solo Violin with Piano obbligato. Premiere: Teatro
da Federarão Espírita do Paraná. Atli Ellendersen, violin, and
Leilah Paiva, piano. June 23rd, 2001.
74. Concerto for
Oboe and String Orchestra (2001). Premiere: Teatro Londrina,
Memorial de Curitiba. Lúcius Mota, oboe. Orquestra de Câmera da
Cidade de Curitiba, cond.: Ernani Aguiar. June 22nd,2002.
75. Espaços
Imaginários for Violin, Cello and Piano (2001). Premiere:
Trio Fibonacci´s tour to Brazil in November 2001 (São Paulo,
Curitiba, Porto Alegre, Brasília, Belo Horizonte).
76. “Fire over
Crystal: An Antarctic Diary” (2001) – Music for Frederico
Füllgraff´s documentary film. Movie released in 2002.
77.
Concerto no.2 for Flute and Orchestra (2001/02). Premiere:
Teatro da Reitoria da UFPR, Curitiba. Fabrício Ribeiro, flute.
Orquestra Filarmônica Juvenil da UFPR, cond.: Iris leong.
03/11/2003.
78. Fragmenta Antiqua (2002), for Brass Quintet.
79. Visões Noturnas
(2002) [Night Visions], for ´Cello and Piano. Premiere: Oscar
Niemeyer Museum, Curitiba, PR. Gabriel Prynn, cello and Jacynthe
Riverin, piano. 6/26/2007.
80.
Prismas (2002) [Prisms], for Violin, Viola, ´Celo and Piano.
Premiere: Centro Cultural Brasil-Estados Unidos, Rio de Janeiro. Ana
Oliveira, violin; Nayran Pessanha, viola; Cláudia Grosso Salles,
celo; Horácio Gouveia, piano. 27/09/2002.
81. Cerrados
(2002) [Savannahs], for 2 Violins. For Zoltán Paulinyi. Premiere: VI
Festival Internacional de Música Contemporánea de la Universidad de
Chile, Santiago, Chile. Sebastian Rojas and Phillipe Espinoza,
violins. 1/16/2006.
82. “Aetherius”
(2002), for String Orchestra. Premiere: Anfiteatro Camargo
Guarnieri, Universidade de São Paulo. Orquestra Sinfônica da USP.
Reg.: Benito Juarez. 17/05/2002.
83.
25 Sketches for Clarinet and Piano (2002/03). For Jairo
Wilkens and Clenice Ortigara. Premiere: Espaço Glaser, Curitiba.
Jairo Wilkens, clarinet and, Clenice Ortigara, piano. 10/2003.
84. Symphony no.2
“Paisagens Verdes” [Green Landscapes] (2003) for String
Orchestra and Harpsichord. Commissioned by The Amazonas Chamber
Orchestra. Premiere: Teatro Amazonas, Manaus. Amazonas Chamber
Orchestra. Conductor: Marcelo de Jesus. 11/23/2003.
85. Transeuntes (2003) para Piano. Commissioned by Antônio
Eduardo dos Santos, for his“Bossa Nova” project. Premiere: Brussels,
Belgium. Antônio Eduardo Santos. 3/2005.
86. Marinas (2003/2004) [Sea Pictures], Cycle of Piano Pieces:
1. Guaratuba and Antonina, 2. Leme I, 3. Cabo da Roca, 4. Nolsoy,
5.Leme II, 6. La Jolla, 7. Appeldore, 8. Piran and Portoroz.
Commissioned by Midori Maeshiro (Japan/Brazil).
87. “E Que Sejam Luminárias, No Céufogoágua” (2004), [Let
them be like Bed Ligths, Over the WateredFired Sky] In Memoriam
Haroldo de Campos. Musica Concertante for Guitar and 2
Percussionists. For Fábio Zanon.
88. “E, No Princípio era o Mar” (2004/2005) [And, In The
Beginning It was The Sea], for violin and guitar. For Tânia
Guarnieri.
89.
Tenebrae et Stellae (2005) for Chamber Ensemble. For Ansambel
MD7 (Slovenia). Premiere: 53. ljubljanski poletni festival,
Ljubljana, Slovenia. Ansambl MD7, cond.: Steven Loy. 7/10/2005.
90. Paisagem de
outono [Autumn’s Landscape], for Clarinet and Piano (2005). For
Duo “Palheta ao Piano” (Curitiba). Premiere: Teatro da FIESP, São
Paulo. Duo “Palheta ao Piano”. 09/26/2005.
91. 3 Canticles for
women's choir (2005).
Texts: Tasso da Silveira. 1. Saudade, 2. Em Todos os Perdidos Portos
do Mundo, 3. A Infinita Vigília.
Dedicated to Collegium Vocale (Curitiba).
Premiere: Teatro SESC da Esquina, Curitiba.
Collegium Vocale. Cond.: Helma Haller. 11/30/2005.
92. “Mboraí –
guarani sacred canticle” for a cappella choir (2005.
Commissioned by Peter Mannion for the Choir of West Ireland
University, Galway City, Ireland.
12
93. Solilóquio III
for solo violin (2005/06).
For Atli Ellendersen. Composed at the Visby Internationella
Tonsättar Centrum, Sweden. Premiere: Summartónar Festival 2006,
Torshavn, Faroe Islands, Atli Ellendersen.
94. Responsórios I
for violin and two pianos (2006).
Composed at the Visby Internationella Tonsättar Centrum, Sweden.
Premiere: Filip Kutev Hall – Union of Bulgarian Composers, Sofia,
Bulgaria. Nihislav Mihailov, violin; Liliana Getova and Galina
Apostolova, pianos. 11/23/2007.
95. Suíte cinematográfica, film music for string quartet
(2006).
96.
“De Fluminibus” - 4 Reflexions on rivers for strings
orchestra (2006). I.Rios Imaginários [Imaginary Rivers] ,
II.Assoreamentos [Sand banks]; III.Rios Furiosos [Raging Rivers];
IV.Rios Ausentes [Absent Rivers]. Premiere: Mihail Jora Concert Hall
– Romanian National Radio, Bucharest, Romania. Romanian Radio
Chamber Orchestra. Cond.: Chrsitian Brancusi.26/11/2007.
97.
Paisagem de inverno for Clarinet in A, Violin and Piano
(2006).
Premiere: Theater Londrina, Curitiba, PR. Atli Ellendersen, violin;
André Ehrlich, clarinet in A; Leilah Paiva, piano. 6/27/2007.
98. Symphony no.3
for 8 Cellos (2006). For Marin Cazacu and “Ensemble
Violoncelissimo”, Bucharest, Romania. Premiere: Festival “Meridian”,
Bucharest, Romania. Ensemble “Violoncelissimo”. 12/08/2006.
99. Suíte Antiga Brasileira, for orchestra (2006). Dedicated
to Denise Mohr and the Federal University of Paraná’s Philharmonic
Orchestra. Premiere: Teatro da Reitoria da UFPR, Curitiba, PR.
Federal University of Paraná’s Philharmonic Orchestra, cond.: Denise
Mohr. 12/2006.
100. 4 Symbolistic
Songs for voice and piano (2007)
- Bruma [Mist] (Silveira Neto); No Reino das Sombras [In the Kingdom
of shadows] (Dario Vellozo); Visão [Vision] (Tasso da Silveira);
Entardecer [Twilight] (Tasso da Silveira).
101.
Como um vôo de pássaro [Like a Bird’s Flight] - In Memoriam
Heidemari for flute and piano (2006/2007). For Aldo Barbieri and
Antônio Eduardo dos Santos. Premiere: Oscar Niemeyer Museum,
Curitiba, PR. Aldo Barbieri, flute and Antonio Eduardo, Piano.
9/2007.
102. Uma voz
amazônica for voice and Orchestra (2007),
sobre o poema “Sugestão” de Thiago de Mello. Obra encomendada pela
Amazonas Filarmônica.
103. Symphony nº 4
for 24 flutes (2007). For Pierre-Yves Artaud and the “Orchestre
de Flutes Français”, Paris, France. Premiere: Salle Cortot, Paris,
France. Orchestre de Flutes Français, cond.: Alain Biget. 2/16/2008.
104.
Do sertão ao delta [From the Hinterland to the Delta] –
prelude for orchestra (2007). Encomenda do Projeto “Pauta
Contemporânea”, do SESC Nacional. Premiere: SESC Teresina, Teresina,
PI. 10/2007.
105. Introduction
and Fanfare for the 95th anniversary of UFPR
(2007), for brass and percussion. Premiere: Santos Andrade Square
(outdoors), Curitiba, PR. Members of the UFPR’s Philharmonic
Orchestra. 12/19/2009.
106. Ao Fundo, o
mar ardente (2007/08) para violino, viola e violoncelo
Para o trio Menezes (RJ).
107. Duas Canções
Marítimas (2008) para voz média, violino, violoncelo e piano
(1.Uma após uma - Fernando Pessoa/Ricardo Reis;
2.Mar - Frederico Augusto Schimidt)
108. Antipodae Brasilienses (2008), diptych for orchestra –
I. From Hinterland to the Delta, II. Winter Landscape. Dedicated to
the Paraná Symphony Orchestra. Premiere: Teatro Guaíra, Curitiba,
PR. Paraná Symphony Orchestra, cond.:Ernani Aguiar.9/21/2008.
109. Sapo não pula
por boniteza, mas sim por percisão
(Frosch hüpft nicht zum Genuss, sondern weil er muss) (2008) for
flute, oboe and clarinet. Dedicated to Goethe-Institut Curitiba.
Premiere: "Sunday at the Campus" series , University POSITIVO,
Curitiba,PR. Ensemble Recherche (Germany) -. 10/26//2008.
110. Diálogo sonoro
sob as estrelas [Resounding dialogue under the stars] (2008) for
euphonium and piano. Commissioned by Fernando Deddos.
111. Responsórios
II (2008), for orchestra. Dedicated to The Minas Gerais Symphony
Orchestra. Premiere: Palácio das Artes, Belo Horizonte, MG. Minas
Gerais Symphony Orchestra, cond.: Lutero Rodrigues. 11/25/2008.
112. Flora
Atlantica (2008/09), for flute, guitar and cello – 6 miniatures
suggested by plants and flowers from Brazilian rainforest. 1.
Nematanthus gregarius (alto fl., guitar and cello); 2. Aechmea
gamosepala (fl.g.vc.); 3- Begonia cocinea (fl. and cello); 4 -dichorisandra
thryrsifolia (fl.g.vc.); 5 - Malvaviscus arboreus (fl.g.vc.); 6 -
Miltonia regnelii (alto fl., gui., vc.).
113. Jornada
através de tempos obscuros (2009) [Journey through dark times],
for chamber ensemble (flute, oboe, clarinet, percussion, mandolin,
guitar, harp, piano, violin, viola, cello and double-bass).
114. Antíteses
- Concerto for Viola Pomposa (5 stringed viola) and
orchestra.
115. Flora
Atlântica II (2009)
3 miniatures for clarinet, violin and piano
1.Heliconia velloziana, 2. Calathea mediopicta, 3.Sinningia
douglasii
116. Construção - sobre madeira, latão e prata (2009)
(Construction - on wood, brass and silver)
for flute (+picc. and alto), clarinet in b-flat (+cl. in A, bass cl.
and doublebass cl.) and saxophones (S,A,T,Bar.).
117. 3 Prelúdios Curitibanos, para violão (2009)
(3 Curitiba Preludes, for guitar)
118.
Em vão
– incidental music for a theater play,
for string quartet (2010)
119. Night Urban Music (2010), for euphonium and percussion
120. Flora Atlantica
III (2010),
for clarinet, bassoon, violin and viola.
1. Quesnelia arvensis 4. Monestra adansonii
2. Vriesea platynema 5. Ipomea pes-caprae
3. Laelia purpurata 6. Epidendrum puniceoluteum
121.
Subtrópicos
(2010) – While a great city sleeps, for orchestra
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