LIST OF WORKS
(Original compositions, instrumentation and dates of first performance)
Abbreviations for Brazilian States: MG – Minas Gerais; RJ – Rio de Janeiro;
SP- São Paulo; PR- Paraná; RS - Rio Grande do Sul.

vídeo       page of the score



1. Cantiga d'Escarneo. Cantata for soprano, flute, bassoon (or ‘cello), viola and piano (1979). Text by D.Afonso X (13th century) Premiere: November 1991. Ouro Preto Theater, Ouro Preto, MG, BRAZIL. Ensemble Nova Philharmonia. Judith Imbassahy, soprano.

2. Cambiata, for Viola (1980) Premiere: November 1990. Ricardo Giannetti (transcription for solo violin).

3. Sanatório, for soprano, oboe, bassoon, violin, cello, percussion and
piano (1980) Premiere: 14th Winter Festival, Federal University of Minas Gerais, Diamantina, July 1981. The Festival’s Camerata.


4.
Canto for Violin (1981). Premiere: Institute of Human and Social Sciences. Federal University of Ouro Preto, MG. November 1990. Ricardo Gianneti.

5. Ária for Oboe (1981). Premiere: Brasília Super Radio FM, Brasília. January 1984. Izaac Duarte.


6. Ária, version for Flute (1981). Premiere: 14th Winter Festival, Fed.Univ of Minas Gerais, Diamantina, MG. July 1981. Odette Ernest Dias.

7. Sio2 (1981), for Chamber Orchestra. Premiere: 14th Winter Festival. July 1981. The Festival’s Camerata.


8. Hottetterriana, solo Recorders (1981). Premiere: Teatro Elizabetano, Sabará, MG. September 1981. Eduardo Carvalho Ribeiro.


9. Resonare Fibris, solo ‘Cello (1981). Premiere: Stockholm, Sweden. 1986. Peter Schuback.

10. Sonata for bassoon and piano (1981).

11. Takhailat Mandhir Jamil, for piano, violin and ‘cello (1982)


12. Taghai'urun, for Piano (1982/83). Premiere: ler Festival de Compositores Latinoamericanos, Quito, Ecuador. May 1991.

13. Expansão, for 4 tubas (1983). Premiere: 8th Brasília International Summer Course. January 1983.

14. Música para Alguém, for harp, french-horn and tantan (1983). Premiere: 8th Brasília International Summer Course. January 1983.

15. Concerto (no.1) for Flute and Orchestra (1981/83). Premiere: The National Theater of Brasília. October 10th, 1985. The National Theater Symphony Orchestra. Conductor: Jorge Antunes.
Soloist: Odette Ernest Dias.

16.Concerto for Sax soprano and String Orchestra (1983) Premiere: 9th Brasília International Summer Course. January 1984. The Festival’s Camerata. Conductor: Sérgio Dias. Soloist: Vadim Arsky.

17. Interiores, for orchestra (1983) (withdrawn). 9th Brasília International Summer Course. January1984. The Festival’s Orchestra. Conductor: Sérgio Dias.

18. 3 Momentos, for ‘Cello solo (1983) (withdrawn). Premiere: Belo Horizonte. June 26th, 1984. João Cândido dos Santos.

19. Views, for Orchestra (1983/84).

20. Introspecção I (1983), for Clarinet solo. Premiere: 1st Cycle of Contemporary Music of Belo Horizonte, MG. April 7th, 1984. Nelson Cadima Fuentes.

21. Introspecção II, for 2 trombones (1983). Premiere: 8th Cycle of Contemporary Music of Belo Horizonte. December 1991. Soloists: Paulo Lacerda e Wagner Mayer.

22. Sabra, for oboe and piano (1983). Premiere: ler Encuentro de Musica Contemporanea de Chile, Santiago. October 17th 1989. Soloists: Daniel Vidal (oboe) and Karina Glasinovic (piano).


23. Sunset, for double bass and marimba (1983).

24. Transfigurações, for 2 harps (1983).

25. Stress, bass-clarinet, trumpet, trombone, viola and percussion (1983.

26. Sonata I, for Piano (1979/84), premiere: School of Music and Fine Arts of Paraná. Curitiba, PR. October 26th,1997. Leilah Paiva.

27. Variations for flute and bassoon (1984).

28. Fragments I - V, for Piano (1984).

29. Aluminium Sonata, for violin and piano (1985). Premiere: Teatro Municipal de Ouro Preto, MG, November 24th, 1991. Ricardo Gianetti (violin) and Talitha Maria Cardoso Peres (piano).

30. Para Além Doutro Oceano, for solo voice, choir and orchestra (1985).

31. Convivium, Electroaccoustic Composition (1986). Premiere: 3rd Cycle of Contemporary Music of Belo Horizonte. June 23rd, 1986.

32. Un Pájaro de Papel en El Pecho dice que El Tiempo de Los Besos no ha Llegado, for recorders and tape (1986). Premiere: Museu da Inconfidência, Ouro Preto, MG. July 5th, 1986. Eduardo Carvalho Ribeiro (recorders) (withdrawn).

33. Memento Mori, oratorio for solo voices and chamber ensemble (1987). (Text: Affonso Ávila). Premiere: Teatro Municipal de Ouro Preto. June 20th, 1987. Camerata Philharmonia. Conductor: Sérgio Dias. Soloists: Lucila Tragtenberg (soprano) and Cesio Aldrighi (baritone).

34. 3 Fragments for organ (1987).

35. Aethra I (1987), for solo ‘Cello and Piano obbligato. Premiere: 4th Cycle of Contemporary Music of Belo Horizonte. June 28th, 1987. Claudio Urgel (‘cello) and Celina Szrvinski (piano).

36. Concerto for Violin, 12 instrumentalists and soprano (1988).
Premiere: 8th Biennial of Brazilian Contemporary Music, Rio de Janeiro. November 28th, 1989. Camerata Philharmonia. Conductor: Sergio Dias. Hariton Nathanailidis (violin) and Lucila Tragtenberg (soprano).

37. Canticae et Diverbia, for flutes, clarinets, violin, ‘cello and
piano (1988). Premiere: Cultura Inglesa Theatre of São Paulo. March 3rd, 1989. Grupo Novo Horizonte of São Paulo. Conductor: Graham Griffiths. Commissioned by Grupo Novo Horizonte de São Paulo.

38. Sicut, for chamber orchestra (1989, withdrawn). Premiere: 14th Panorama of Brazilian New Music, Federal University of Rio de Janeiro. October 30th, 1992. Rio de Janeiro Chamber Orchestra. Cond.: Roberto Victório.

39. Lamentationes Jeremiae Prophetae, Officium I, Lectio I, for soprano and chamber orchestra (1990).

40. Ludus, for Clarinets and ‘Cello (1990).

41. Symphony nº 1 "Concerto Harmônico”, for symphonic band (1991, revised in 1996). Premiere: Memorial da América Latina, São Paulo. April 24th, 1992. The São Paulo State Symphonic Band. Cond.: Roberto Farias.
Commissioned by the State of São Paulo Cultural Department.

42. Finismundo, for soprano and chamber ensemble (1991/92). (Text: Haroldo de Campos) Premiere: Teatro Municipal de Ouro Preto. November 30th ,1991. (1st fragment). Premiere of complete work: Teatro da Faculdade Santa Marcelina, São Paulo. August 13th, 1996. Grupo Novo Horizonte de São Paulo. Cond.: Graham Griffiths. Soloists: Cláudia Riccitelli (1991) and Simone Foltran (1996). Commissioned by Grupo Novo Horizonte de São Paulo.

43. Música para Flávia, for Piano (1991/92). Premiere: Dartington International Summer School, UK. August 28th , 1993. Ian Munro (Australia).

44. Jeremia Propheta: Uma Epígrafe, for Piano (1992). Commissioned by Graham Griffiths. Premiere: Leilah Paiva. Sala Brasílio Itiberê. Curitiba, PR. July 21st, 2000.

45. Na Perfurada Luz, em Plano Austero, string quartet nº 1, (1992/93). Premiere: Summartónar 96, Faeroe Islands. June 27th, 1996. Moyzes String Quartet (Slovakia).

46. Terra Queimada, for clarinet, violin, ‘cello and piano (1993).
Premiere: Dartington International Summer School, UK. August 28th, 1993. Lynsey Marsh and Murphy Trio (UK).

47. Missa a Capella (1993) for 16 voices choir (SATB).

48. Revoada, for solo Recorders (1994). Premiere: Rádio Cultura
FM, São Paulo. August 1995. Helle Kristensen. Commissioned by Helle
Kristensen (Denmark).

49. Umbrae et Lumen, for Chamber Ensemble (1993/94). Premiere: 5th Encompor, Latin – American Encounter of Composers, Porto Alegre, RS. October 11th, 1996. Ensemble Cantus Firmus. Cond.: Pedro Boéssio.

50. Aethra II (1989/94), for Double-bass solo and piano obbligato.

51. Concerto for Bass-Clarinet, Percussion and Piano (1994/95). Premiere: Fynske Musikkonservatorium, Odense, Denmark. February 8th, 1995. Grupo Novo Horizonte de São Paulo. Soloist: Otinilo Pacheco.

52. Por entre Montanhas e Mares, for Harpsichord (1994/95).

53. In Solitude, para Company (1995), for flute and guitar.

54. Icnocuícatl (1995, revised in 98), for Chamber Orchestra. Premiere: Festival Música Nova, Santos/São Paulo, SP. August 15th, 1995. Grupo Novo Horizonte de São Paulo and Ensemble Nord (Denmark). Cond.: Graham Griffiths. Commissioned by Grupo Novo Horizonte de São Paulo.

55. Solilóquio I (1995), for Sax-tenor solo. Premiere: Museu da
Imagem e do Som, Curitiba, PR. December 14th,1995. Rodrigo Capistrano.

56. Sarapalha, chamber opera in 1 act on text by Guimarães Rosa
adapted for theater by Renata Palottinni (1995/96). Premiere: Sala Brasílio Itiberê, Curitiba, PR. November 23rd , 1999. Paulo Barato (baritone), José Alberto Batistela (tenor), Josiane dal Pozzo Zuliani (mezzo-soprano), Márcio Pimentel (oboe and english-horn), Júlio César Coelho (viola and fiddle), Manchinha (accordion), Fabiano Zanin (guitar), Berchon Dias, Jr. (percussion). Cond.: Daniel Bortollossi.

57. Ipês (1996), an epigraph for viola and piano.

58. 5 Epigraphs for French-Horn and String Orchestra (1996). Premiere: Memorial da Cidade de Curitiba. November 12th ,1997. Leandro Teixeira, french-horn. Orquestra de Câmera da Cidade de Curitiba. Cond.: Lutero Rodrigues.

59. Imagens Rupestres, for flutes, ‘cello and piano (1996).
Premiere: Schloss Zell an der Pram, Oberösterreich, Austria. May 17th, 1997. The George Crumb Trio (Linz). Commissioned by the George Crumb Trio.

60. Lumen de Lumine, concerto for ‘Cello and Chamber Ensemble.
(1996/97). Premiere: 12th Biennial of Brazilian Contemporary Music, Rio de Janeiro. Otto Andersen, ‘cello. Ensemble Nord (Denmark). November 1997. Commissioned by Ensemble Nord.

61. Sextet for Piano and Wind Quintet (1997).
Premiere: Centro Cultural do Banco do Brasil, Rio de Janeiro. Ensemble Rio. July 22nd, 1997. Commissioned by Bank of Brazil Cultural Foundation.

62. Concerto for Piano and Orchestra (1997).
Premiere: 7th Winter Festival of Campos, RJ. Maria Tereza Madeira, piano and The Festival’s Symphony Orchestra. Cond.: Sérgio Dias. Commissioned by the Festival

63. Assimetrias (1997) for Guitar. Premiere: Centro Paranaense Feminino de Cultura, Curitiba, PR. Mário da Silva. 5/2002.

64. Sonata II (1998) for Piano.
Premiere: Escola de Música e Belas Artes do Paraná (Curitiba). May 14th, 1999. Leilah Paiva.

65. Austrais (1998), 4 songs for voice and piano on poems by Cruz e Sousa. 1- Um ser; 2- Siderações; 3- As estrelas; 4- Dupla via-láctea. Premiere: Memorial da Cidade de Curitiba. June 11th, 1999. Anna Toledo, soprano and Carlos Alberto Assis, piano.

66. No Silêncio das Noites Estreladas (1998), for Percussion Ensemble (9) Premiere : Teatro São Pedro. Festival Música Nova, São Paulo SP. August 27th, 1999. PIAP Percussion Ensemble.

67. Sicut Erat in Principio (1998), for Orchestra. Premiere: Teatro Guaíra, Curitiba. November 12th ,1999. State of Paraná Symphony Orchestra. Cond.: Roberto Duarte.

68. As Impuras Imagens Do Dia Se Desvanecem (The Unpurged Images of Day Recede [Yeates]) (1999), for solo Viola. Premiere: Casa Thomas Jefferson, Brasília. Zoltan Paulinyi. 5/16/2008.

69. Ad Aethereum (1999 / 2000) for String Quintet (vln.I, vln.II, vla., vlc., d.bass). Commissioned by the Curitiba String Quintet.

70. Solilóquio II (2000), for Violoncello solo. Premiere: Salão de Atos da UFRGS, Porto Alegre, RS. Rodrigo Silveira. 12/10/2007.

71. Turris Ebúrnea (1999/2000), Cantata for Soloists (SATB), Choir and Chamber Orchestra (Strings and harpsichord) on early 20th century texts by symbolist poets from Paraná ( Emiliano Perneta, Tasso da Silveira, Dario Vellozo, Cícero França, Silveira Neto, Aristides França). Commissioned by Camerata Antiqua de Curitiba. Premiere: Teatro Londrina, Memorial da Cidade de Curitiba. Camerata Antiqua de Curitiba. Cond.: Helma Haller. Oct.26th, 2000.

72. Diálogos do Vento (2000), for Harmonica and Chamber Orchestra. Premiere: Teatro Carlos Gomes. Blumenau Chamber Orchestra. Ronald Silva, harmônica; Daniel Bortolossi, cond., Blumenau, SC. 5/11/2002.

73. Aethra III (2000 / 01) for solo Violin with Piano obbligato. Premiere: Teatro da Federarão Espírita do Paraná. Atli Ellendersen, violin, and Leilah Paiva, piano. June 23rd, 2001.

74. Concerto for Oboe and String Orchestra (2001). Premiere: Teatro Londrina, Memorial de Curitiba. Lúcius Mota, oboe. Orquestra de Câmera da Cidade de Curitiba, cond.: Ernani Aguiar. June 22nd,2002.

75. Espaços Imaginários  for Violin, Cello and Piano (2001). Premiere: Trio Fibonacci´s tour to Brazil in November 2001 (São Paulo, Curitiba, Porto Alegre, Brasília, Belo Horizonte).

76. “Fire over Crystal: An Antarctic Diary” (2001) – Music for Frederico Füllgraff´s documentary film. Movie released in 2002.

77. Concerto no.2 for Flute and Orchestra (2001/02). Premiere: Teatro da Reitoria da UFPR, Curitiba. Fabrício Ribeiro, flute. Orquestra Filarmônica Juvenil da UFPR, cond.: Iris leong. 03/11/2003.

78. Fragmenta Antiqua (2002), for Brass Quintet.

79. Visões Noturnas (2002) [Night Visions], for ´Cello and Piano. Premiere: Oscar Niemeyer Museum, Curitiba, PR. Gabriel Prynn, cello and Jacynthe Riverin, piano. 6/26/2007.

80. Prismas (2002) [Prisms], for Violin, Viola, ´Celo and Piano. Premiere: Centro Cultural Brasil-Estados Unidos, Rio de Janeiro. Ana Oliveira, violin; Nayran Pessanha, viola; Cláudia Grosso Salles, celo; Horácio Gouveia, piano. 27/09/2002.

81. Cerrados (2002) [Savannahs], for 2 Violins. For Zoltán Paulinyi. Premiere: VI Festival Internacional de Música Contemporánea de la Universidad de Chile, Santiago, Chile. Sebastian Rojas and Phillipe Espinoza, violins. 1/16/2006.

82. “Aetherius” (2002), for String Orchestra. Premiere: Anfiteatro Camargo Guarnieri, Universidade de São Paulo. Orquestra Sinfônica da USP. Reg.: Benito Juarez. 17/05/2002.

83. 25 Sketches for Clarinet and Piano (2002/03). For Jairo Wilkens and Clenice Ortigara. Premiere: Espaço Glaser, Curitiba. Jairo Wilkens, clarinet and, Clenice Ortigara, piano. 10/2003.

84. Symphony no.2 “Paisagens Verdes” [Green Landscapes] (2003) for String Orchestra and Harpsichord. Commissioned by The Amazonas Chamber Orchestra. Premiere: Teatro Amazonas, Manaus. Amazonas Chamber Orchestra. Conductor: Marcelo de Jesus. 11/23/2003.

85. Transeuntes (2003) para Piano. Commissioned by Antônio Eduardo dos Santos, for his“Bossa Nova” project. Premiere: Brussels, Belgium. Antônio Eduardo Santos. 3/2005.

86. Marinas (2003/2004) [Sea Pictures], Cycle of Piano Pieces: 1. Guaratuba and Antonina, 2. Leme I, 3. Cabo da Roca, 4. Nolsoy, 5.Leme II, 6. La Jolla, 7. Appeldore, 8. Piran and Portoroz. Commissioned by Midori Maeshiro (Japan/Brazil).

87. “E Que Sejam Luminárias, No Céufogoágua” (2004), [Let them be like Bed Ligths, Over the WateredFired Sky] In Memoriam Haroldo de Campos. Musica Concertante for Guitar and 2 Percussionists. For Fábio Zanon.

88. “E, No Princípio era o Mar” (2004/2005) [And, In The Beginning It was The Sea], for violin and guitar. For Tânia Guarnieri.

89. Tenebrae et Stellae (2005) for Chamber Ensemble. For Ansambel MD7 (Slovenia). Premiere: 53. ljubljanski poletni festival, Ljubljana, Slovenia. Ansambl MD7, cond.: Steven Loy. 7/10/2005.

90. Paisagem de outono [Autumn’s Landscape], for Clarinet and Piano (2005). For Duo “Palheta ao Piano” (Curitiba). Premiere: Teatro da FIESP, São Paulo. Duo “Palheta ao Piano”. 09/26/2005.

91. 3 Canticles for women's choir (2005).
Texts: Tasso da Silveira. 1. Saudade, 2. Em Todos os Perdidos Portos do Mundo, 3. A Infinita Vigília.
Dedicated to Collegium Vocale (Curitiba).
Premiere: Teatro SESC da Esquina, Curitiba.
Collegium Vocale. Cond.: Helma Haller. 11/30/2005.

92. “Mboraí – guarani sacred canticle” for a cappella choir (2005.
Commissioned by Peter Mannion for the Choir of West Ireland University, Galway City, Ireland.

12 93. Solilóquio III for solo violin (2005/06).
For Atli Ellendersen. Composed at the Visby Internationella Tonsättar Centrum, Sweden. Premiere: Summartónar Festival 2006, Torshavn, Faroe Islands, Atli Ellendersen.

94. Responsórios I  for violin and two pianos (2006).
Composed at the Visby Internationella Tonsättar Centrum, Sweden. Premiere: Filip Kutev Hall – Union of Bulgarian Composers, Sofia, Bulgaria. Nihislav Mihailov, violin; Liliana Getova and Galina Apostolova, pianos. 11/23/2007.

95. Suíte cinematográfica, film music for string quartet (2006).

96. “De Fluminibus”  - 4 Reflexions on rivers for strings orchestra (2006). I.Rios Imaginários [Imaginary Rivers] , II.Assoreamentos [Sand banks]; III.Rios Furiosos [Raging Rivers]; IV.Rios Ausentes [Absent Rivers]. Premiere: Mihail Jora Concert Hall – Romanian National Radio, Bucharest, Romania. Romanian Radio Chamber Orchestra. Cond.: Chrsitian Brancusi.26/11/2007.

97. Paisagem de inverno for Clarinet in A, Violin and Piano (2006).
Premiere: Theater Londrina, Curitiba, PR. Atli Ellendersen, violin; André Ehrlich, clarinet in A; Leilah Paiva, piano. 6/27/2007.

98. Symphony no.3 for 8 Cellos (2006). For Marin Cazacu and “Ensemble Violoncelissimo”, Bucharest, Romania. Premiere: Festival “Meridian”, Bucharest, Romania. Ensemble “Violoncelissimo”. 12/08/2006.

99. Suíte Antiga Brasileira,  for orchestra (2006). Dedicated to Denise Mohr and the Federal University of Paraná’s Philharmonic Orchestra. Premiere: Teatro da Reitoria da UFPR, Curitiba, PR. Federal University of Paraná’s Philharmonic Orchestra, cond.: Denise Mohr. 12/2006.

100. 4 Symbolistic Songs for voice and piano (2007)
- Bruma [Mist] (Silveira Neto); No Reino das Sombras [In the Kingdom of shadows] (Dario Vellozo); Visão [Vision] (Tasso da Silveira); Entardecer [Twilight] (Tasso da Silveira).

101. Como um vôo de pássaro [Like a Bird’s Flight] - In Memoriam Heidemari for flute and piano (2006/2007). For Aldo Barbieri and Antônio Eduardo dos Santos. Premiere: Oscar Niemeyer Museum, Curitiba, PR. Aldo Barbieri, flute and Antonio Eduardo, Piano. 9/2007.

102. Uma voz amazônica for voice and Orchestra (2007),
sobre o poema “Sugestão” de Thiago de Mello. Obra encomendada pela Amazonas Filarmônica.

103. Symphony nº 4 for 24 flutes (2007). For Pierre-Yves Artaud and the “Orchestre de Flutes Français”, Paris, France. Premiere: Salle Cortot, Paris, France. Orchestre de Flutes Français, cond.: Alain Biget. 2/16/2008.

104. Do sertão ao delta [From the Hinterland to the Delta] – prelude for orchestra (2007). Encomenda do Projeto “Pauta Contemporânea”, do SESC Nacional. Premiere: SESC Teresina, Teresina, PI. 10/2007.

105. Introduction and Fanfare for the 95th anniversary of UFPR
(2007), for brass and percussion. Premiere: Santos Andrade Square (outdoors), Curitiba, PR. Members of the UFPR’s Philharmonic Orchestra. 12/19/2009.

106. Ao Fundo, o mar ardente (2007/08) para violino, viola e violoncelo
Para o trio Menezes (RJ).

107. Duas Canções Marítimas (2008) para voz média, violino, violoncelo e piano (1.Uma após uma - Fernando Pessoa/Ricardo Reis;
2.Mar - Frederico Augusto Schimidt)

108. Antipodae Brasilienses (2008), diptych for orchestra – I. From Hinterland to the Delta, II. Winter Landscape. Dedicated to the Paraná Symphony Orchestra. Premiere: Teatro Guaíra, Curitiba, PR. Paraná Symphony Orchestra, cond.:Ernani Aguiar.9/21/2008.

109. Sapo não pula por boniteza, mas sim por percisão
(Frosch hüpft nicht zum Genuss, sondern weil er muss) (2008) for flute, oboe and clarinet. Dedicated to Goethe-Institut Curitiba.
Premiere: "Sunday at the Campus" series , University POSITIVO, Curitiba,PR. Ensemble Recherche (Germany) -. 10/26//2008.

110. Diálogo sonoro sob as estrelas [Resounding dialogue under the stars] (2008) for euphonium and piano. Commissioned by Fernando Deddos.

111. Responsórios II (2008), for orchestra. Dedicated to The Minas Gerais Symphony Orchestra. Premiere: Palácio das Artes, Belo Horizonte, MG. Minas Gerais Symphony Orchestra, cond.: Lutero Rodrigues. 11/25/2008.

112. Flora Atlantica (2008/09), for flute, guitar and cello – 6 miniatures suggested by plants and flowers from Brazilian rainforest. 1. Nematanthus gregarius (alto fl., guitar and cello); 2. Aechmea gamosepala (fl.g.vc.); 3- Begonia cocinea (fl. and cello); 4 -dichorisandra thryrsifolia (fl.g.vc.); 5 - Malvaviscus arboreus (fl.g.vc.); 6 - Miltonia regnelii (alto fl., gui., vc.).

113. Jornada através de tempos obscuros (2009) [Journey through dark times], for chamber ensemble (flute, oboe, clarinet, percussion, mandolin, guitar, harp, piano, violin, viola, cello and double-bass).

114. Antíteses - Concerto for Viola Pomposa (5 stringed viola) and orchestra.

115. Flora Atlântica II (2009)
3 miniatures for clarinet, violin and piano
1.Heliconia velloziana, 2. Calathea mediopicta, 3.Sinningia douglasii

116. Construção - sobre madeira, latão e prata (2009)
(Construction - on wood, brass and silver)
for flute (+picc. and alto), clarinet in b-flat (+cl. in A, bass cl. and doublebass cl.) and saxophones (S,A,T,Bar.).

117. 3 Prelúdios Curitibanos, para violão (2009)
(3 Curitiba Preludes, for guitar)

118. Em vão – incidental music for a theater play,
for string quartet (2010)

119. Night Urban Music (2010), for euphonium and percussion

120.
Flora Atlantica III (2010),
for clarinet, bassoon, violin and viola.
1. Quesnelia arvensis 4. Monestra adansonii
2. Vriesea platynema 5. Ipomea pes-caprae
3. Laelia purpurata 6. Epidendrum puniceoluteum

121. While a great city sleeps (2010) – for orchestra
Premiere: Federal University of Paraná Philhamonic Orchestra. Márcio Steuernagel, cond.

122.
Sarapalha (1996-2010) – opera in 1 act based on Renata Pallottini’s play, on a short story by Guimarães Rosa. 2nd version for chamber orchestra (guitar, harpsichord, percussion and strings).

123.
Concerto no. 2, for violin and orchestra (2010)
Premiere: Egidius Streiff, violin. Paraná Symphony Orchestra. Márcio Steuernagel, cond. Federal University of Paraná’s Theater. Sep.28th, 2012.

124.
Tropicus Interemptus (2010) – 5 essays on climate changes
For flute (+ piccolo and alto flute), oboe (+ english horn), clarinet in b-flat (+ e-flat clarinet), violin, viola, cello, double-bass and piano.
1.Emissões (smoke emissions); 2.Mares (seas); 3.Geleiras (glaciers); 4.Calor e Chuva (heat and rain); 5.Seca (drought)

125.
Solilóquio IV (2011), for alto flute. Dedicated to Valentina Daldegan and Maurício Dottori.

126.
Lars Hellström in Santos (2011), for piano. Dedicated to Antonio Eduardo Santos, Gilberto Mendes and Lars Hellström.

127.
Flanagem no. 1 (2011), for sax-soprano solo.

128.
Tillandsia Stricta Sollander (Bromélia) (2011), for cello and piano.

129.
Images of Visby (2011), for wood-wind quintet. Dedicated to Gotlands Blasarkvintett, Sweden.

130.
Paisagem Meridional no. 1 (2011), for alto flute and accordion. For Teodoro Anzellotti, through Goethe-Institut, Curitiba.

131.
El Espíritu de Reynogüelén (2011) – music for double-bass solo, women’s choir and orchestra. Dedicated to Pablo Guiñez.

132.
Flanagem no. 2 (2012), for euphonium. To Fernando Deddos.

133.
In Exilium maneo (2012), for flute, clarinet, trombone, violin, cello, percussion and piano. Dedicated to Sorin Lerescu and Ansamblul Traiect (Bucharest, Romania), in their 30th anniversary.

134.
Ad Astra, per Aspera (2012), for orchestra. Dedicated to the Federal University of Paraná’s Centennial and its Philharmonic Orchestra’s 5oth anniversary

135.
Spiritus Domini (2012), for Choir SATB and organ.

136.
Cadenza con solisti (2012), for violin and chamber orchestra (for Concerto no.2 for violin and orchestra). Dedicated to Egidius Streiff.

137.
Metamorphosis after a fragment, string quartet no.2 (2012)
(based on Villa-Lobos sketch for his 18th string quartet). Dedicated to Radamés Gnattalli Quartet

138.
Reflexões Austrais no. 1 for violin solo (2012). To Egidius Streiff.

139.
Mirabillis Jalapa – Piano Quintet (2012)
FUNARTE’s Commission Prize for the 20th Biennale of Brazilian Contemporary Music

140.
Paisagem Meridional no. 2 (2012) – for violin solo and muted strings orchestra. For Egidius Streiff and Festival I Solisti XXI, Recife, Brazil.